I’ve been writing books for 25 years now—I’m sure that silver anniversary festschrift is just around the corner—and I never reply to critics. I’ve had my say between the covers; let the reviewer have her say. Besides, life is too short and precious for squabbling with strangers. But Sidney Blumenthal’s claim in the Atlantic that Ron Maxwell’s film “Copperhead,” for which I wrote the screenplay, is “propaganda for an old variation of the neo-Confederate Lost Cause myth” is nonsense. (As recently as 2005 the Atlantic’s erstwhile literary editor, the great Benjamin Schwarz, was recommending my work to readers. Time doth fly.)
Mr. Blumenthal is so busy burning strawmen that he misses the point of the movie (and even misreports the ending, which he must not have seen). “Copperhead” does not re-argue the Civil War, nor is it about the antiwar movement in the North. It measures the impact of the war on the Corners, one small settlement in Upstate New York. Abner Beech, the title character, does not even consider himself a Copperhead; he is, rather, an old-fashioned Jefferson-Jackson agrarian Upstate New York Democrat. (In contrast with the Democratic Party in New York City, the Upstate Democracy contained a large and noble faction that had long sought to bar slavery from the territories and limit the power of the slavocracy.)
The movie is about the effect of war on a community. It is about the way that wars tear families apart. It is about the challenge of loving one’s neighbor. And it is about dissent, which is never exactly in robust condition in the land of the free...