Cinéma vérité (French: [sinema veʁite], "truthful cinema"; English: /ˈsɪnɨmə vɛrɨˈteɪ/) is a style of documentary filmmaking, combining naturalistic techniques with stylized cinematic devices of editing and camerawork, staged set-ups, and the use of the camera to provoke subjects. It is also known for taking a provocative stance toward its topics.
There are subtle yet important differences among these terms. Direct Cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence. Operating within what Bill Nichols,[1] an American historian and theoretician of documentary film, calls the "observational mode," direct cinema is essentially what is now called a fly on the wall documentary. Many therefore see a paradox created by drawing attention away from the reality of the camera and simultaneously declaring the discovery of a cinematic truth.