I've worked on 4 independent feature films to varying degrees from visual effects supervisor/effects artist, to sound mixer/sound design, to grip, but almost always close to the director and producers and the production/distribution process. I'm currently working on another right now. I also plan to write(possibly with help)/direct my own film in the not too distant future.
Another thought. This would make an interesting video game.
The film makers put time and effort into creating shots for what is essentially a montage. They could have equally spent time and effort into creating some shots of actual scenes that involve the story and characters. This movie is going to be "fictional" as well, in that the characters don't exists, nor have the events presented happened.
Arguing with you is getting exhausting (over opinions might I add). I've already stated my opinions, and sent an e-mail to the film makers. The Director of Photography/Producer here at the production company I work at viewed the trailer and concurred with all of my criticisms.
bump...
Hope this film gets produced. Wish the forum had a movies section.
Side note...Jericho the Movie!![]()
where ?
I loved that show.
I dunno Pete, I think this may be just what is needed to make people wake up. The Hunger Games were a start. This will be epic. Some will, as you say, think this a work of fiction. Othere are going to go "Holy Shit".
bump
“Grizzly Man” producer Nelson (this film is executive produced by that film’s helmer, Werner Herzog) weighs the disturbing recent saga of a charismatic military veteran with libertarian leanings who industriously sought to make a “dystopian future reality movie” portraying America’s imminent conquest at the hands of the “deep state” in service of the “New World Order.” But when that dream actually seemed to be coming true to him, he began unraveling. The result: He, his wife and 5-year-old daughter were all found dead in their home. After nearly a year’s investigation, police drew the conclusion, fairly obvious from evidence here, that it was a double murder/suicide steeped in collective psychosis. Nonetheless, there remain plenty of observers convinced that the government wanted to silence him and his film.
He self-funded an impressively slick “concept trailer” to attract backing for the estimated $30 million feature. Not only did it generate Indiegogo donations sufficient to support his screenwriting (while Komel bankrolled the family expenses with a day job), but it made him an instant celebrity spokesman among like-minded bloggers and such, of which there were/are many. He even got a development deal with a Los Angeles film production company.
The latter producers provide a striking sequence here when they belatedly listen to an audiotape Crowley had made of himself, prepping for their pitch meeting. Rambling and manic, he now seems a “psychotic” they were duped by, rather than the ambitious, confident aspirant they thought they’d met. Similarly, friends, family and colleagues remember David as a natural leader, though they also saw worrisome signs near the end — signals amply filled in by the voluminous, increasingly hysterical journals, videos and other forms of compulsive self-expression he left behind.