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A long time ago when I still had a telescreen in my home, if I watched a movie, usually within 10 minutes I already had the story of the movie figured out. All of these movies have the same build up: the hero has a happy life, then something goes terribly wrong and in the end (after you think it can only go wrong) we get a happy ending.
Usually my predictions were pretty accurate. I don’t know if the movies actually got more mind numbing or that I got better at predicting them.
SEVEN STORYLINES
The following article describes that there are only 7 stories that sum up all of movies: http://lenwilson.us/seven-stories/
According to Vladimir Propp there is a limited set of only 8 character types in all stories: http://changingminds.org/disciplines/storytelling/characters/propp_personae.htm
I happened to me a few times that I couldn’t predict how a movie would end. For me this was actually the reason to keep watching Then out of nowhere... wham - the main character wakes up and it was all a dream. Instead of being bored by the predictability, I got mad for being fooled by a story that wasn’t even a (real) story.
HOLLYWOOD – CIA, PENTAGON
Ever since WW II (and even before) the main objective of the film industry is propaganda. The Hollywood blockbuster movies are not only brainwashing the USA, but even the rest of the world.
The CIA has been paying Hollywood to tell the story of how the good American government makes war for peace: 1) Oscar winner “Argo” is a manipulated story about the Iran hostage crisis (in reality the Reagan-Bush team paid Iran to NOT release the hostages); 2) “Zero Dark Thirty” tells how torturing “unlawful combatants” led to catching Osama Bin Laden; 3) the CIA “advised” Tom Clancy for “The Hunt for Red October”, “Patriot Games” and “The Sum of All Fears” : http://www.globalresearch.ca/screen-propaganda-hollywood-and-the-cia/5324589
Since the 1910s there is a strong affiliation between Hollywood and the Pentagon. The Pentagon has given “advice” and provided material and personnel for lots of movies; Phil Strub of the Pentagon alone was involved with over 50 movies: http://america.aljazeera.com/articl...entagonarelationshipofmutualexploitation.html
The following 11 movies (since 2001) are all US propaganda (many with the help of CIA and/or Pentagon) – Pearl Harbor, The Sum of all fears, United 93, The hurt locker, Iron man, Skyfall, Zero dark thirty, Argo, Captain Philips, The interview, American sniper: http://screechingkettle.blogspot.nl/2015/01/11-hollywoodpentagon-propaganda-films_26.html
The US government pays lots of money to the film industry to spread propaganda. In 2010 alone $1.5 billion in state funding was donated to filmmakers: https://pando.com/2014/02/20/hollyw...ntertainment-industry-are-fleecing-taxpayers/
Filthy slime Michael Moore got $840,000 for his movie "Capitalism: A Love Story" from the Michigan Film Office, while as part of the Film Office Advisory Council he advised to give him this money: https://www.mackinac.org/12025
In my opinion the most horrible propaganda movies aren’t even American, but the James Bond series.
DISNEY – BEAUTY IS MORE THAN SKIN DEEP
In general Disney movies taught us that: Poor people are stupid, dirty, fat, uncivilised and ugly; Rich people are superior in every way; You can see that people are mean by how ugly they are; Beautiful people are more intelligent, better and richer than ugly people; The villain is hideous;
The young heroin is always the depiction of beauty: extremely thin in the waist with big breasts; The princes and male heroes are all handsome: tall, slim and muscular.
The following explains how Disney movies teaches children to discriminate: http://www.cracked.com/article_16905_7-classic-disney-movies-that-taught-us-terrible-lessons.html
The Lion King - In order to be successful, others have to pay (and die) and ultimately, that's what makes you a winner.
The Little Mermaid - It’s stupid to not sell your soul to the (sea) Devil to get what you want.
Beauty and the Beast – A born prince is always better than a poor slob (even when he looks like a beast). A prince deserves to get the good looking babe, because he’s a prince. The prince should be forgiven for misbehaving, because he’s a prince. In the end the prince transforms back to his beautiful self to make it a real happy end.
The Hunchback of Notre Dame - Ugly guys never get the beautiful girl, even if they're devoted.
Sleeping Beauty – When a woman wakes up to find a (poor) man that’s she doesn’t know on top of her, she yells rape. But because here she’s molested by a prince, she marries him.
The Fox and the Hound – Differences are a good reason to segregate. Never become friends with somebody that is different.
DISNEY – RACISM
In many pictures other races (than the “superior” white race) are mumbling fools. The following story is reasonably good, but ends with the strange conclusion that Disney movies aren’t really racist at all: https://storify.com/snelltl/are-disney-movies-racist
Aladdin - The Merchant describes Arabs in the Middle East in the opening song with “I come from a land from a faraway place, where the caravan camels roam. Where they cut off your ear if they don't like your face, it's barbaric but, hey, it's home!”
Dumbo - At the beginning of the movie some black men are helping set up the circus. These blacks have featureless faces and sing: "We work all day, we work all night, we never learned to read or write; we work all night, we work all day; and can't wait to spend our pay away".
Another example of racism in “Dumbo” are the 3 black crows: depicting Africans that always smoke, speak without proper grammar and wear poor man’s clothes. This is pure racism of intelligent, highly civilised crows by dressed up apes like us.
The Jungle Book - The apes are gibberish-spouting monkeys talking jive and obviously portray Africans.
Chip n' Dale Rescue Rangers - The Siamese Twin Gang are depicted as Asians - the villains, criminals of the movie - who speak mangled English.
Fantasia – The African centaur is a hoof-polishing handmaiden for the pretty “white” centaurs. She is darker than the other centaurs, with hoop earrings, big lips and braided hair.
Peter Pan - In a song it is explained that Native Americans lost their natural white skin colour because of blushing red after kissing a girl. Furthermore the Indians repeatedly show misogynistic tendencies. None of the Indians speak besides the chief (naturally in a very broken jargon).
The Lion King - The hyenas are clearly a gang speaking in slang. The hyenas - represent the blacks and Latinos - aren’t allowed to enter the Pride Lands and are banished once they cross the border. Obviously they don’t belong where “we” live (but then who will clean our houses and offices?).
Mickey Mouse and the Boy Thursday (Book) – Way back in the 1940s Mickey Mouse gets a crate with West African bananas. There’s a surprise African inside: a real savage that commits all kinds of violence.
Pocahontas – This shows the evil mass murdering colonialists in a favourable light (falsifying history in the process). The real story was that "Pocahontas" was stolen at 10/11 years old from her father by (the white) John Smith. In 1612, at the age of 17, Pocahontas was taken prisoner by the English and held at Jamestown for over a year. Pocahontas was only released after she agreed to marry the 28-year-old widower John Rolfe. In March 1617 Pocahontas died at the age of 21 after she was forced off the ship on which she travelled with Rolfe and their son: http://www.powhatan.org/pocc.html
DISNEY - SEXUAL MESSAGES
It’s amazing how many sexual messages are (hidden) in Disney cartoons. Maybe children are groomed by these messages to think that sex (with rich adults) is OK: http://uk.complex.com/pop-culture/2...ldrens-movies/aladdin-and-the-king-of-thieves
In the following fragment we can see that the bishop is very aroused. The spokesman for Disney has explained that “It’s his knees” (let’s do the math: “It’s”=1; “knees”=2):
In “The little Mermaid” one of the castle’s golden towers looked like a giant penis. The following penis is even more blatant: Mickey Mouse’s hand holding what should be Minnie Mouse’s body.
In the 1977 version of The Rescuers, there was a topless woman in the window.
I don’t know any character in cartoons for children as overtly sexual as Jessica Rabbit in “Who Framed Roger Rabbit”, but didn’t know she doesn’t wear panties.
STEVEN SPIELBERG
The single most commercially successful director of all time is Steven Spielberg.
Although his movies are pitifully predictable and filled with all kinds of clichés, his early movies often struck a chord with me. From the end of the 1980s his movies filled me with ever more disgust. He’s also involved in producing computer games.
The following quote by Peter Biskind sums up nicely the purpose of Spielberg’s productions: "infantilizing the audience, reconstituting the spectator as child, then overwhelming him and her with sound and spectacle, obliterating irony, aesthetic self-consciousness, and critical reflection”.
The following quotes about Spielberg’s involvement with both the Pentagon and Bilderberg can be found in “Order out of chaos” by John Paul Watson:
“In February 1997 a leading light in the British film industry leaked the story that Spielberg and executives of his company DreamWorks had secretly met with senior Pentagon officials in Los Angeles. The officials told Spielberg to ‘stop everything’ and produce a movie whose subject matter involved meteors and/or comets.
One year later Deep Impact was in the can. The film describes a comet hurtling towards earth and the fight for who has the privilege of access to an underground bunker. Who were these Pentagon officials and why were they so eager for Bilderberg asset Spielberg to produce a movie about a threat from outer space?
(...)
Steven Spielberg is known to have attended Bilderberg in 1999 and perhaps in other years. There are also allegations that the infamous “Alien Autopsy” and “Alien Interview” footage were Spielberg productions.”
Here’s a story about how Spielberg is supposedly involved in getting the world ready for the alien false flag attack (interesting but in fact disinformation): http://www.bibliotecapleyades.net/sociopolitica/atlantean_conspiracy/atlantean_conspiracy48.htm
On August 11, 1999 Spielberg received the Department of Defense Medal for Distinguished Public Service from Secretary of Defense William S. Cohen at the Pentagon.
Spielberg is also close with the Clintons. Spielberg supported Hillary Clinton’s 2016 presidential campaign with $1 million. Here’s Spielberg with Bill Clinton as he accepts the 2009 Philadelphia Liberty Medal.
SATANIC MESSAGES IN CARTOONS
We are bombarded with so many satanic images, that we think these are “normal”. Because all of these superstars show these satanic symbols - Satanism is even becoming hip.
Just look at the famous Walt Disney logo; it is written in a peculiar way: with a hidden 666666 in it. The first 3 sixes are highlighted in red. The 4[SUP]th[/SUP] is the “W” starting from right to left in reverse; the 5[SUP]th[/SUP] is the top “horizontal” part of the “t”; the 6[SUP]th[/SUP] is in the “D” in reverse. Maybe “six” is another reference to “sex”.
In Disney movies often sorcerers and witches appear. In “The Sorcerer’s Apprentice”, the sorcerer is named “Yen Sid”, which is “Disney” spelled backwards.
Here are some satanic images in cartoons: http://moviepilot.com/posts/3669038
The Duck Tales - a sign in the back with the phrase: ''ASK ABOUT ILLUMINATI''.
Usually my predictions were pretty accurate. I don’t know if the movies actually got more mind numbing or that I got better at predicting them.
SEVEN STORYLINES
The following article describes that there are only 7 stories that sum up all of movies: http://lenwilson.us/seven-stories/
According to Vladimir Propp there is a limited set of only 8 character types in all stories: http://changingminds.org/disciplines/storytelling/characters/propp_personae.htm
I happened to me a few times that I couldn’t predict how a movie would end. For me this was actually the reason to keep watching Then out of nowhere... wham - the main character wakes up and it was all a dream. Instead of being bored by the predictability, I got mad for being fooled by a story that wasn’t even a (real) story.
HOLLYWOOD – CIA, PENTAGON
Ever since WW II (and even before) the main objective of the film industry is propaganda. The Hollywood blockbuster movies are not only brainwashing the USA, but even the rest of the world.
The CIA has been paying Hollywood to tell the story of how the good American government makes war for peace: 1) Oscar winner “Argo” is a manipulated story about the Iran hostage crisis (in reality the Reagan-Bush team paid Iran to NOT release the hostages); 2) “Zero Dark Thirty” tells how torturing “unlawful combatants” led to catching Osama Bin Laden; 3) the CIA “advised” Tom Clancy for “The Hunt for Red October”, “Patriot Games” and “The Sum of All Fears” : http://www.globalresearch.ca/screen-propaganda-hollywood-and-the-cia/5324589
Since the 1910s there is a strong affiliation between Hollywood and the Pentagon. The Pentagon has given “advice” and provided material and personnel for lots of movies; Phil Strub of the Pentagon alone was involved with over 50 movies: http://america.aljazeera.com/articl...entagonarelationshipofmutualexploitation.html
The following 11 movies (since 2001) are all US propaganda (many with the help of CIA and/or Pentagon) – Pearl Harbor, The Sum of all fears, United 93, The hurt locker, Iron man, Skyfall, Zero dark thirty, Argo, Captain Philips, The interview, American sniper: http://screechingkettle.blogspot.nl/2015/01/11-hollywoodpentagon-propaganda-films_26.html
The US government pays lots of money to the film industry to spread propaganda. In 2010 alone $1.5 billion in state funding was donated to filmmakers: https://pando.com/2014/02/20/hollyw...ntertainment-industry-are-fleecing-taxpayers/
Filthy slime Michael Moore got $840,000 for his movie "Capitalism: A Love Story" from the Michigan Film Office, while as part of the Film Office Advisory Council he advised to give him this money: https://www.mackinac.org/12025
In my opinion the most horrible propaganda movies aren’t even American, but the James Bond series.
DISNEY – BEAUTY IS MORE THAN SKIN DEEP
In general Disney movies taught us that: Poor people are stupid, dirty, fat, uncivilised and ugly; Rich people are superior in every way; You can see that people are mean by how ugly they are; Beautiful people are more intelligent, better and richer than ugly people; The villain is hideous;
The young heroin is always the depiction of beauty: extremely thin in the waist with big breasts; The princes and male heroes are all handsome: tall, slim and muscular.
The following explains how Disney movies teaches children to discriminate: http://www.cracked.com/article_16905_7-classic-disney-movies-that-taught-us-terrible-lessons.html
The Lion King - In order to be successful, others have to pay (and die) and ultimately, that's what makes you a winner.
The Little Mermaid - It’s stupid to not sell your soul to the (sea) Devil to get what you want.
Beauty and the Beast – A born prince is always better than a poor slob (even when he looks like a beast). A prince deserves to get the good looking babe, because he’s a prince. The prince should be forgiven for misbehaving, because he’s a prince. In the end the prince transforms back to his beautiful self to make it a real happy end.
The Hunchback of Notre Dame - Ugly guys never get the beautiful girl, even if they're devoted.
Sleeping Beauty – When a woman wakes up to find a (poor) man that’s she doesn’t know on top of her, she yells rape. But because here she’s molested by a prince, she marries him.
The Fox and the Hound – Differences are a good reason to segregate. Never become friends with somebody that is different.
DISNEY – RACISM
In many pictures other races (than the “superior” white race) are mumbling fools. The following story is reasonably good, but ends with the strange conclusion that Disney movies aren’t really racist at all: https://storify.com/snelltl/are-disney-movies-racist
Aladdin - The Merchant describes Arabs in the Middle East in the opening song with “I come from a land from a faraway place, where the caravan camels roam. Where they cut off your ear if they don't like your face, it's barbaric but, hey, it's home!”
Dumbo - At the beginning of the movie some black men are helping set up the circus. These blacks have featureless faces and sing: "We work all day, we work all night, we never learned to read or write; we work all night, we work all day; and can't wait to spend our pay away".
Another example of racism in “Dumbo” are the 3 black crows: depicting Africans that always smoke, speak without proper grammar and wear poor man’s clothes. This is pure racism of intelligent, highly civilised crows by dressed up apes like us.
The Jungle Book - The apes are gibberish-spouting monkeys talking jive and obviously portray Africans.
Chip n' Dale Rescue Rangers - The Siamese Twin Gang are depicted as Asians - the villains, criminals of the movie - who speak mangled English.
Fantasia – The African centaur is a hoof-polishing handmaiden for the pretty “white” centaurs. She is darker than the other centaurs, with hoop earrings, big lips and braided hair.
Peter Pan - In a song it is explained that Native Americans lost their natural white skin colour because of blushing red after kissing a girl. Furthermore the Indians repeatedly show misogynistic tendencies. None of the Indians speak besides the chief (naturally in a very broken jargon).
The Lion King - The hyenas are clearly a gang speaking in slang. The hyenas - represent the blacks and Latinos - aren’t allowed to enter the Pride Lands and are banished once they cross the border. Obviously they don’t belong where “we” live (but then who will clean our houses and offices?).
Mickey Mouse and the Boy Thursday (Book) – Way back in the 1940s Mickey Mouse gets a crate with West African bananas. There’s a surprise African inside: a real savage that commits all kinds of violence.
Pocahontas – This shows the evil mass murdering colonialists in a favourable light (falsifying history in the process). The real story was that "Pocahontas" was stolen at 10/11 years old from her father by (the white) John Smith. In 1612, at the age of 17, Pocahontas was taken prisoner by the English and held at Jamestown for over a year. Pocahontas was only released after she agreed to marry the 28-year-old widower John Rolfe. In March 1617 Pocahontas died at the age of 21 after she was forced off the ship on which she travelled with Rolfe and their son: http://www.powhatan.org/pocc.html
DISNEY - SEXUAL MESSAGES
It’s amazing how many sexual messages are (hidden) in Disney cartoons. Maybe children are groomed by these messages to think that sex (with rich adults) is OK: http://uk.complex.com/pop-culture/2...ldrens-movies/aladdin-and-the-king-of-thieves
In the following fragment we can see that the bishop is very aroused. The spokesman for Disney has explained that “It’s his knees” (let’s do the math: “It’s”=1; “knees”=2):
In “The little Mermaid” one of the castle’s golden towers looked like a giant penis. The following penis is even more blatant: Mickey Mouse’s hand holding what should be Minnie Mouse’s body.
In the 1977 version of The Rescuers, there was a topless woman in the window.
I don’t know any character in cartoons for children as overtly sexual as Jessica Rabbit in “Who Framed Roger Rabbit”, but didn’t know she doesn’t wear panties.
STEVEN SPIELBERG
The single most commercially successful director of all time is Steven Spielberg.
Although his movies are pitifully predictable and filled with all kinds of clichés, his early movies often struck a chord with me. From the end of the 1980s his movies filled me with ever more disgust. He’s also involved in producing computer games.
The following quote by Peter Biskind sums up nicely the purpose of Spielberg’s productions: "infantilizing the audience, reconstituting the spectator as child, then overwhelming him and her with sound and spectacle, obliterating irony, aesthetic self-consciousness, and critical reflection”.
The following quotes about Spielberg’s involvement with both the Pentagon and Bilderberg can be found in “Order out of chaos” by John Paul Watson:
“In February 1997 a leading light in the British film industry leaked the story that Spielberg and executives of his company DreamWorks had secretly met with senior Pentagon officials in Los Angeles. The officials told Spielberg to ‘stop everything’ and produce a movie whose subject matter involved meteors and/or comets.
One year later Deep Impact was in the can. The film describes a comet hurtling towards earth and the fight for who has the privilege of access to an underground bunker. Who were these Pentagon officials and why were they so eager for Bilderberg asset Spielberg to produce a movie about a threat from outer space?
(...)
Steven Spielberg is known to have attended Bilderberg in 1999 and perhaps in other years. There are also allegations that the infamous “Alien Autopsy” and “Alien Interview” footage were Spielberg productions.”
Here’s a story about how Spielberg is supposedly involved in getting the world ready for the alien false flag attack (interesting but in fact disinformation): http://www.bibliotecapleyades.net/sociopolitica/atlantean_conspiracy/atlantean_conspiracy48.htm
On August 11, 1999 Spielberg received the Department of Defense Medal for Distinguished Public Service from Secretary of Defense William S. Cohen at the Pentagon.
Spielberg is also close with the Clintons. Spielberg supported Hillary Clinton’s 2016 presidential campaign with $1 million. Here’s Spielberg with Bill Clinton as he accepts the 2009 Philadelphia Liberty Medal.
SATANIC MESSAGES IN CARTOONS
We are bombarded with so many satanic images, that we think these are “normal”. Because all of these superstars show these satanic symbols - Satanism is even becoming hip.
Just look at the famous Walt Disney logo; it is written in a peculiar way: with a hidden 666666 in it. The first 3 sixes are highlighted in red. The 4[SUP]th[/SUP] is the “W” starting from right to left in reverse; the 5[SUP]th[/SUP] is the top “horizontal” part of the “t”; the 6[SUP]th[/SUP] is in the “D” in reverse. Maybe “six” is another reference to “sex”.
In Disney movies often sorcerers and witches appear. In “The Sorcerer’s Apprentice”, the sorcerer is named “Yen Sid”, which is “Disney” spelled backwards.
Here are some satanic images in cartoons: http://moviepilot.com/posts/3669038
The Duck Tales - a sign in the back with the phrase: ''ASK ABOUT ILLUMINATI''.
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